Barbara Formis Education 2005







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Barbara Formis

Education



2005 Research for a Doctorate in philosophy. University Paris I, Panthéon-Sorbonne.

SPECIALISATION : Philosophy of Contemporary Art.

TOPIC: Aesthetic of Ordinary Gestures in Contemporary Art.

SUPERVISOR : Prof. Anne Moeglin-Delcroix.
2000 D.E.A. (Masters) in Philosophy. University Paris I, Panthéon-Sorbonne.

SPECIALISATION: Philosophy of Contemporary Art.

TOPIC: Gesture in Contemporary Art with regard to Antonin Artaud.

A study centred on the body art (Michel Journiac), the action painting (Jackson Pollock) and the happening (Allan Kaprow).

SUPERVISOR: Prof. Anne Moeglin-Delcroix.

Results: très bien (High Distinction / A).
1999 Maîtrise (Honours) in Philosophy. University Paris I, Panthéon-Sorbonne.

SPECIALISATION: Philosophy of Contemporary Art.

TOPIC: Slogan and Image in the work of Barbara Kruger.

SUPERVISOR: Prof. Anne Moeglin-Delcroix.

Results: très bien (High Distinction / A).
1998 Equivalent to a Bachelors in Philosophy, University of Milan.

Results: 29,4/30 très bien (High Distinction / A).


  1. High School Diploma, Linguistic High School ‘Daniele Manin’, Cremona.

Results: 55/60 (High Distinction/A)
1994 High School Diploma, ‘Port Charlotte’ High School, Florida, USA.


Teaching Experience
2003-2005 ATER, Lecturer (research and teaching post) in Philosophy of Art and Theoretical Philosophy (Université Paris I, Panthéon-Sorbonne).

- 2004-2005, 1st Semester. Course topic in Philosophy of Art: Fundamental principles of aesthetic philosophy: Kant and Schiller. Level: Second (DEUG 2) and Third Year (Licence)

- 2004-2005, 2nd Semester. Course topic in Philosophy of Art: For an aesthetics of the content: Hegel and Adorno. Level: Second (DEUG 2) and Third Year (Licence)

- 2003-2004, 1st Semester. Course topic in Theoretical Philosophy: Memory (Plato, Augustin, Locke, Hume, Bergson, Husserl). Level : First year.

- 2003-2004, 2nd Semester. Course topic in Philosophy of Art: Expression (Merleau-Ponty, Adorno, Lukacs, Dufrenne, German expressionnism, Russian suprematism, and American abstract expressionnism). Level: Second year.
2000-2003 Allocation de Recherche and Monitorat. Research Scholarship and Teaching post in Philosophy of Art and Theoretical Philosophy, University Paris I, Panthéon-Sorbonne.

- 2002-2003, Philosophy of art. Course topic: The avant-garde in 20th century theatre and the critique of representation. (Artaud, Nietzsche, Brecht). Level: Second year.

- 2001-2002, Theoretical philosophy. Course topic: The body between activity and passivity (Plato, Spinoza, Nietzsche, phenomenology). Level: First year.

- 2000-2001, Theoretical philosophy. Course topic: The critique of Reason, Passions as social values (Greek scepticism, Montaigne, Hume, Kant, Nietzsche). Level: First year.


Publications
- “Aesthetics of indifference”, in Portuguese, review CMC, ed. ESPM, São Paulo (Brésil), edited by Vladimir Pinheiro Safatle, 2005.
- “Lakonikon : for the lack of the icon…”, Black Square, New York Times Sept 02-Sept 03, Pia Lindman, Turf, New York, USA, 2004.
- “Event and ready-made: delayed sabotage, in Dominiek Hoens (ed.), Miracles Do Happen, Communication & Cognition,  vol. 37, nos. 3 et 4, 2004, pp. 247-262.
- “Le pouvoir de la syntaxe: Yvonne Rainer chorégraphe et Ludwig Wittgenstein philosophe” (“The power of syntax: Yvonne Rainer choreographer and Ludwig Wittgenstein philosopher”). Revue d’Esthétique, Nr. 44, ed. Jean-Michel Place, Paris, 2004, p. 97-106.
- “Umberto Eco et l’aliénation comme méthode de production artistique”. (“Umberto Eco and alienation as a method of artistic production”). Presentation of the French translation of one of Umberto Eco’s essays: “De la manière de donner forme comme engagement et prise sur la réalité” (“On the manner of forming as engagement with reality”), in « Existence-fiction », Revue d’Esthétique, n° 42, Paris, ed. Jean-Michel Place, 2003, pp. 9-10

- Review of the book Le corps de Chantal Jaquet, P.U.F. septembre 2001, in Revue d’Esthétique, n° 42, Paris, ed. Jean-Michel Place, pp. 161-162.
- “Le vol du faucon : geste érotique et meurtrier chez Platon et Artaud”, (“The flight of the falcon : erotic and murderous gesture in Plato and Artaud”) in “L’amour et la mort” (“Love and death”), Idées, Revue de Philosophie, Paris, n° 2, 2002, pp. 43-56.
2001-2004 Collaboration as Paris correspondent for the review Segno (Pescara, Italie) which focuses on international art. Amongst other reviews:

- “Les metaphores silencieuses de Chen Zhen”, (“Chen Zen’s Silent Metaphors” Dec-Jan. 2004, n° 200, pp. 32-36.

- “Les années pop et le double reflet », (“The Pop decades and the double reflection”) April 2001, n° 178, pp. 17-20.

- Review of the Foire Internationale d’Art Contemporain (International Exposition of Contemporary Art) and interview with the director Mr Yvon Lambert, Oct. 2001, n° 180, pp. 23-24.

- “Au-delà du spectacle, au-delà du spectateur”, (“Beyond the Spectacle, beyond the spectator”), Dec.-Jan. 2001, n° 176, pp. 28-31.

In press
- Review of Lignes de partage, Littérature/Poésie/Philosophie, by Françoise Armengaud, éd. Kimé, 2002, in Révue de Métaphysique et de Morale, Paris, PUF.
- “Evénement et ready-made : le retard du sabotage” (“Event and readymade: delayed sabotage”) in the acts of the University Paris VIII seminar on the philosophy of Alain Badiou, ed. Bruno Besana and Oliver Feltham, Paris, L’Harmattan.

Papers
04/08/05 - “Indiscernible gestures”, plenary presentation, The third international conference on New Directions in Humanities, Humanities Conference, University of Cambridge, UK.
01/04/05 - “Impresenting the ordinary gesture”, panel Thresholds, Performance at the Edge of Being? (chair Prof. Sha Xin Wei, Harvard University). Becoming Uncomfortable, Performance Studies International Conference 11, Brown University (Rhode Island, USA).
16/11/2004 - “Aesthetics of indifference”. Graduate student seminar directed by Anne Moeglin-Delcroix, Paris I, Philosophy Department, Sorbonne.
29/05/2004 - “What happens : the event in the work of Jacques Derrida and in happenings”. University Paris VIII-Vincennes. Graduate student seminar organiser Bruno Besana, Univ. Paris VIII.
3/04/2004 - “Aesthetic of ordinary gesture: boredom and irony in contemporary dance”. Maison des Sciences de l’Homme, Paris Nord.

Ironic attitude and a sentiment of ‘ennui’ in two choreographic works: Xavier Le Roy’s Project and Alice Chauchat and Anne Juren’s J’aime.

Seminar organised by SIRPAAC (CEPPA, École doctorale de Philosophie, Paris I) in collaboration with CRI (École doctorale Arts plastiques, Esthétique et Sciences de l’art, Paris I) and CRéART-Phi (École doctorale Connaissance et Culture, Paris X).
29/10/2003 “Event and ready-made” Jan Van Eyck Academy, Maastricht.

Analysis of the notion of event between Alain Badiou’s philosophy and Marcel Duchamp’s art procedure.
30/05/2003 “ Rétroactivité intervenante de l’événement artistique”. (“The Interventional Retroactivity of the Artistic Event”). Univ. Paris VIII, Seminar on Alain Badiou’s thought.
15/01/2003 “Yvonne Rainer choreographer and Ludwig Wittgenstein philosopher: for a practice of ordinary language ». Univ. Paris I, Sorbonne. Graduate student seminar directed by Anne Moeglin-Delcroix.
20/11/2001  “Hamish Fulton and Francis Alÿs: walking as an artistic practice”. Univ. Paris I, Sorbonne. Graduate student seminar directed by Anne Moeglin-Delcroix.
Dec. 2000 “Gesture in contemporary art in the light of Antonin Artaud”. Univ. Paris I, Sorbonne. Graduate student seminar directed by Anne Moeglin-Delcroix.

Coordination of seminars
3/04/ 2004 Coordination of a seminar under the responsibility of Prof. Anne Moeglin-Delcroix.

Seminar organised by SIRPAAC (CEPPA, École doctorale de Philosophie, Paris I) in collaboration with CRI (École doctorale Arts plastiques, Esthétique et Sciences de l’art, Paris I) and CRéART-Phi (École doctorale Connaissance et Culture, Paris X).

Title: ‘Geste, performance et expérience dans l’art contemporain’. (‘Gesture, performance and experience in contemporary art’. Other directors: Maryvonne Saison (Paris X, Philosophy Department) and Dominique Château (Paris I, Sciences of Art Dep.).
29/05/ 2004 Coordination of a seminar on the concept of ‘Artistic Event’. Director : Bruno Besana (ATER) at University Paris VIII. Paper “What happens: the event in the work of Jacques Derrida and in happenings”.

Experience in Dance
January 2003 Three days workshop at the Pompidou Centre called “Regarder danser les oeuvres du musée” (“Watch and dance the museum’s works of art) directed by Cécile Proust and Muriel Venet.
Since 1998 Classical dance with Wayne Byars at the École de danse du Marais and at the Studio Harmonic (in Paris). Contemporary dance with Peter Goss and Catherine Cordier (Cunningham and Limon method).

1995-1998 Part-time performer for Paola and Silvia Posa’s Teatrodanza company in Cremona (Italy). The work was focused on the interactions between theatre and dance (Merce Cunningham, Alvyn Alley).
1997 Professional Diploma at the I.S.T.D (Imperial Society of Teachers of Dancing) in London, UK.

Languages
Italien: maternal French: bilingual English: bilingual

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