Lives and works in New York and Tucson, az
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| The Painted Desert, Galerie Renos Xippas, Paris 92 Objets touves d’artistes, Galerie dur Jour Agnes B., Paris End of the year, Galerie Anselm, Berlin Le carre libere, Espace de l’Art Concret, Mouans-Sartoux, France Dessin d’une collection, Frac-Picardie, Gauchy, France Olivier Mosset, John Armleder, Aoyama, Tokyo John Armleder, Sylvie Fleury, Olivier Mosset, Foundation Deutsch, Belmont-sur-Lausanne, Switzerland Presque blanc, Galerie Arnaud Lefebvre, Paris La Caravane Passe et…, Musee d’art contemporain, Nice, France Voir et s’asseoir, Espace de l’art concret, Mouans-Sartoux, France Dessin de une collection, extrait II, FRAC-Picardie, Gauchy, France Extra Muros, Musee Des Beaux-Arts, La Chaux-de-Fonds; Musee des Beaux-Arts Lausanne, Switzerland Musee d’art et d’histoire, Neuchatel, Switzerland Home for June, Home for Contemporary Theatre & Art, New York Construction, Hotel Saint-Simon, Angoulerne, France Le Consortium collectione, Chateu d’Oiron, Oiron, France Furk’Art 1991, Furkapass, Switzerland Six logos around the Carpet, Galerie Van Gelder, Amsterdam Eurocard, John Gibson Galery, New York Extra Muros, Musee d’art moderne, St. Etienne, France l Semaine/ 1 Travail, Galerie Arnand Lefebvre, Paris 1969, Daniel Newburg Gallery, New York Paintings of the 1970’s/ 1990’s, Galerie Conrads, Neuss, Germany Travaux sur papier, Galerie Gilbert Brownstone, Paris 1990 The square liberated area of concrete art, Mouans-Sartoux, France L’Aventure de l’Abstraction, 1960-90 Collection J.P. Najar-Obrego Belmont-sur-Lausanne, Switzerland H.Federle/O.Mosset/G.Rockenschaub A.Scheiss, Galerie Susanna St. Gallen, Switzerland Um 1968, Kondrete Utopien in Kunst und Gesellschaft, Stadtische Kunst Dusseldorf Museum fur Gestaltung, Zürich Schweizer Kunst, 1900-1990, aus Schweizer Museen un offentlichen, Sammlungen, Kunsthaus Zug, Switzerland John Armleder, Olivier Mosset, Hannes Van Es, Galeria Fernando Alcolea, Barcelona Olivier Mosset, Steven Parrino, Galerie Pierre Huber, Geneva John Armleder, Peter Hopkins, Gary Hume, Olivier Mosset, Rudolf Stingel, Tanja Grunert Zeigt, Cologne Echange de Procedes, Sous-sol, Ecole superieure d’Art Visuel, Geneva Painting Between the Paradigms, Part IV, Penine Hart Gallery, New York Information, Terrain Gallery, San Francisco Collaborations, Andrea Rosen Gallery, New York Grids, Vrej Baghoomian Gallery, New York La carre, libere, Espace de l’art concret, Mouans-Sartoux, France Queens 1990, circle: John Armleder, Neil Campbell, Adam Fuss, Olivier Mosset, James Nares, Peter Schuyff, The Queens Museum, Flushing, NY Red, Galerie Isy Brachot, Brussels The Eye and The Ear, Galerie van Gelder, Amsterdam Trans Europe Express, John Gibson Gallery, New York 1989 Swiss Sculpture Exhibition, Môtiers, Neuchâtel, Switzerland (cat.) Another case, the Consortium, Eldorado Cinema, Dijon, France (cat.) Di Benedetto, McCaslin, Mosset, Noland, Parrino, Staehle, Daniel Newberg Gallery, New York NY Kunst, 12 Kunstlere fra Schweiz, Louisiana Museum of Modern Art, Humlebaek, Denmark Prospekt’89, Frankfurter Kunstverein und Schirn Kusthalle Frankfurt 256 Farben & Basics on Form, Stiftung fur konstructiv und konkrete, Zürich Marcia Hafif, Olivier Mosset, Dieter Villinger, Galerie Conrads, Dusseldorf Drawings, Daniel Newburg Gallery, New York, NY Une autre affaire, le Consortium, Cinema Eldorado, Dijon, France Biennale 1989, 60e exposition de la Societe des Amis des Beaux Arts, LaChaux-de-Fonds, Switzerland John McCracken, Olivier Mosset, Steven Westfall, Terrain, San Francisco Intuition, Frankfurt Art Fair, John Gibson Gallery, New York, Basel, Switzerland Peintures 200/600 cm, Marche Couvert, Montreux, Switzerland Jet Lag, Turon Travel, New York Simple in Appearance, Marc Richards, Gallery, Los Angeles Balthasar Burkhard, Phillipe Deleglise, Michel Hulin, Pierre Keller Aus des Sammlung Sybil Albers-Barrier Zürich, Stiftung fur Konkrete, Reutlingen, Germany Vele Parels voor een lijn, Galeri van Gelder, Amsterdam Collection dur Fonds regional d’art contemporain de Bourgogne, Musee Beaux-arts, La-Chaux-de-fonds, Switzerland Summer Exposition, Vrej Baghoomian Inc., New York Group Exhibition to benefit the AIDS Crises, Anina Nosei Gallery, New York Autour d’une passion, Chateau de Fraisse-des Corbieres, France 1987 Schlaf der Venunft, Fridericianum Museum, Kassel, Germany From the Southern Cross - A View of World Art c.1940 - 80, The Biennale of Sydney, Sydney / Melbourne, Australia Olympiad of Art, Museum of Modern Art, Seoul (cat.) The color alone, the experience of Monochrome, Musee St. Pierre art contemporain, Lyon, France (cat.) Works, Concepts, Processes, Situations, Information, Gallery Hans Mayer, Düsseldorf (cat.) 1986 Armleder, Federer, Mosset, Verein Kunsthalle, Zürich Abstract Paintings, Villa Arson, Nice, France (cat.) Paravision, Postmasters Gallery, New York John M. Armleder, Helmut Feder, Olivier Mosset Gerwald Rockenschaub, Barbara Gladstone Gallery, New York Red, Massimo Audiello Gallery, New York Swiss Selection, Galerie Beyeler, Basel, Switzerland (cat.) 1985 Radical Painting, Williams College Museum of Art, Williamstown, Massachusetts (cat.) 1983 New Abstraction, Sidney Janis Gallery, New York 1981 The Times Square Show, New York Artists Space, New York 1978 Analytical Abstraction, Fracture Monochrome, Modern Art Museum of the City of Paris 1975 I Colori della Pittura, Instituto Italo-Latino-Americano, Rome Galleria del Milione, Milan (cat.) Damon Brandt Gallery, New York 1974 Art in the Present, Palais Galliera, Paris 1968 Biennial Lugano, Lugano, Switzerland (cat.) 1967 Salon de la Jeune Peinture, Demonstration 1 + 2, Museum of Modern Art, Paris Event 3, Museum of Decorative Arts, Paris Fifth Biennial of Paris, Protest 4, Museum of Modern Art in the City of Paris, Paris, France Galerie J, Paris, France BIBLIOGRAPHY 2014 Martinez, Christina Catherine. “Me and You and Everyone We Kind of Know: Made in L.A. 2014.” ARTslanT, 24 June 2014. [online] Scott, Peter. “Olivier Mosset.” Grey Magazine, 7 May 2014 [online] Enizagam, Ecapstra. “The Secret Alter Egos of the Art World.” Artspace, Art 101, 5 May 2014 [online]. 2013 Gopnik, Black. “When All Life Was a Warhol.” The Daily Beast, 17 December 2013. [online] MacDonell, Nancy. “Brilliant in Every Facet.” W Magazine, 11 December 2013. [online] 2012 Myers, Terry R. “The Agility of Abstraction.” The Indiscipline of Painting, 2012. 2011 Schmerler, Sarah. “Olivier Mosset: Leo Koenig and Mary Boone.” Art in America, May 2011: 156. Dégean, Gallien. “Olivier Mosset.” Art France, ed., 2011. Kazakina, Katya. “Faster Horses, Younger Women, Money: Kneeling Koh: Chelsea Art.” Bloomberg, 24 February 2011. [online] Stipanovich, Alexandre. “Olivier Mosset at Leo Koenig and Josh Smith at Luhring Augustine.” Opening Ceremony, 16 February 2011. [online] Mulvihill, Evan. “Gallery Hopping in Chelsea.” Paper & String, 10 February 2011. “A Solo Exhibition of New Paintings by Olivier Mosset at the Leo Koenig Inc. Gallery.” French Culture, 10 February 2011. [online] Douglas, Sarah. “The Agenda: February 9-15.” Artinfo, 9 February 2011. [online] 2008 Beshty, Walead, and Olivier Mosset. “The Pier Conversation.“ Mousse Magazine, issue 19, 2008. [online] 2005 Mosset, Olivier. “Olivier Mosset: Extraits d’une conversation Dijon le 17.11.05.” Interview by Vincent Pécoil, ITV Magazine, Winter 2005/2006: 22-25. 2003 Stroun, Fabrice. “Olivier Mosset.” Frieze, Issue 79, November-December 2003. KS. “Cady Noland/Olivier Mosset.” Artforum, Summer 2003: 90. 2002 Time Out New York, Issue 373, 21-28 November 2002. Levin, Kim. The Village Voice, 13-19 November 2002. Robinson, Walter. “Weekend Update.” Artnet, 12 November 2002. [online] 1999 Johnson, Ken. “Olivier Mosset.” The New York Times, 24 September 1999: E37. Bell, J. Bowyer. “Olivier Mosset: Recent Paintings.” Review, 15 September 1999. Zinsser, John. “ Painter’s Journal.” artnet, September 1999. [online] 1990 Mosset, Olivier. “Painting After the End.” Interview bu Jeanne Siegel. Arts Magazine, May 1990: 75-79. Baudrillard, Jean. “L’Objet qui n’est pas un/ L’oggetto che tale non è/ Das object, das keines ist/ The Object That is None.” Olivier Mosset. Bundesamt für Kultur, 1990. 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